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Installation view of Facing the Plenty (2022), a ceramic installation composed of accumulated forms, textures, and colors

Facing the Plenty, Installation, 2022

Earthenware, glazes

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Facing the Plenty is an installation inspired by the visual richness of London. Textures, shapes, and everyday objects are translated into ceramic forms using press molds. Assembled like a collage, the elements merge into a surreal landscape of forms, volumes, textures, and colors, reflecting the reality in which the work exists.
 

See the full RCA Graduate Show.

Detail from Facing the Plenty (2022), highlighting layered glazes and ceramic textures

images by Sylvain Deleu

Installation view of Facing the Plenty (2022), a ceramic installation composed of accumulated forms, textures, and colors

images by Sylvain Deleu

Facing the Plenty (2022) displayed on displayed on a white background
Three bird sculptures from Facing the Plenty (2022) displayed on a white background
Detail of banana tree and bird forms from Facing the Plenty (2022), highlighting layered glazes and ceramic textures

images by Bruno Rondineli

Detail of textures and birds forms from Facing the Plenty (2022), highlighting layered glazes and ceramic textures

images by Bruno Rondineli

Detail of textures and Piers cup from Facing the Plenty (2022), highlighting layered glazes and ceramic textures

images by Bruno Rondineli

Detail of textures from Facing the Plenty (2022), highlighting layered glazes and ceramic textures

images by Bruno Rondineli

Sculptures from Facing the Plenty (2022) displayed on pedestals in a gallery setting

image  by Sophia Spring

Three sculptures from Facing the Plenty (2022) displayed on pedestals in a gallery setting

image  by Sophia Spring

© 2026 Noa Chernichovsky

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